Tuesday, August 11, 2015

Dr Dre donates movie proceeds to the kids

Dr. Dre announced that he will donate the royalties from his new album “Compton,” a companion to N.W.A. biopic “Straight Outta Compton,” toward the constructionof a community center in Compton, Calif., where children could learn about arts and entertainment.

Dre announced the donation Thursday morning on Apple Music’s “Beats 1″ radio show with Zane Lowe.

“I reached out to the Compton mayor’s office, got in touch with the mayor, Aja Brown, and I’ve decided to donate all of my artist royalties from the sale of this album to help fund a new performing arts and entertainment facility for the kids in Compton,” Dre said.

He added, “I’ve been really trying to do something special for Compton and just couldn’t quite figure out what it was. [Brown] actually had this idea, and she was already in the process of working on it. I said, ‘Boom, this is what we should do.'”

The 16-track companion to the biopic is subtitled “A Soundtrack by Dr. Dre.” The set includes cuts from rap heavyweights Eminem, Ice Cube, Kendrick Lamar, Snoop Dogg, the Game and Xzibit. The hip-hop legend said working on the movie energized him to make new music.

“During principal photography, I felt myself going to the studio and being so inspired by the movie that I started recording an album,” Dre said on his Beats 1 show earlier this month.

“Compton” will debut on Apple Music Thursday night at 6 p.m. PT, streaming on loop for three hours before officially dropping Friday, Aug. 7.

“Straight Outta Compton” bows in theaters Aug. 14. (Variety)


@GlobalGrind: Prince gives young artists a strong warning and defends Jay Z’s streaming service TIDAL​

Prince Compares Record Contracts To Slavery, Defends Jay Z’s Streaming Service


Prince has a message for all aspiring artists — don’t sign with a major label.

The legendary artist spoke with a small number of reporters at Paisley Park Studios in Minneapolis Saturday evening, and he compared record label contracts to slavery, NPR reports. The comment elicited shock from many in the media, but Prince says the correlation isn’t as harsh as people may think.


The artist has had his fair share of label experience throughout his storied career. He’s also had to deal with copyright suits over platforms like YouTube releasing his music without permission. The singer says this is why self-preservation is important in the music industry. Since young artists are unaware of how the business works, they’re ignored when it comes to the label using their music through multiple steaming services and other platforms.

He also defended Jay Z’s streaming service TIDAL, suggesting that more companies should be paying artists for their music. Prince’s own next album, HITNRUN, will be exclusively released through the service.

Public scrutiny over TIDAL’s initial cost and flashy display of label-signed artists overshadowed its debut this year, but Prince says he will continue to advocate for the service because of the freedom it provides to artists. (The Grind)


Completely agree. 



Monday, August 10, 2015

Common seen with a mystery lady

Who's rapper Common with? This is NOT Serena. 

Common and his mystery lady "friend" we're seen coming out of the TriBeCa hotel Saturday in NYC. 

Who is she???



welcomes Black Journalists Association for unusual night at Paisley Park

It was a very unusual night at Prince’sPaisley Park studios on Saturday.

Not because he talked to the crowd but did not perform.

Not because he spent 45 minutes huddled with 10 handpicked media members who were attending the National Association of Black Journalists convention in Minneapolis.

Not because there was a greater percentage of black people in the audience (mostly conventioneers) than at probably any previous Twin Cities performance by Prince.

Not because people actually took verboten cellphone photos inside Paisley Park and no security guard escorted them out.

Not because Paisley Park seemed unnecessarily warm with nearly 900 bodies dancing.

Not because dance-party goers had a chance to play ping-pong and pool in Paisley’s soundstage.

Artcetera

It was a very unusual night at Prince’sPaisley Park studios on Saturday.

Not because he talked to the crowd but did not perform.

Not because he spent 45 minutes huddled with 10 handpicked media members who were attending the National Association of Black Journalists convention in Minneapolis.

Not because there was a greater percentage of black people in the audience (mostly conventioneers) than at probably any previous Twin Cities performance by Prince.

Not because people actually took verboten cellphone photos inside Paisley Park and no security guard escorted them out.

Not because Paisley Park seemed unnecessarily warm with nearly 900 bodies dancing.

Not because dance-party goers had a chance to play ping-pong and pool in Paisley’s soundstage.

No, the most extraordinary thing about Saturday was that precious little Prince music was played. During the four-hour dance party, DJ Kiss, brought in from New York, offered about 2½ Prince songs.

After Prince’s minute-long speech, DJ Kiss spun a snippet of Prince’s “Kiss” and then she played two songs from his forthcoming album, “HitNRun,” due Sept. 7 via Tidal, Jay Z’s streaming service. Prince did tell the crowd that the music also would be available in a physical format.

The new songs, perhaps titled "Million Dollar Show" and “Shut It Down,” were very dense and mechanical, with lots of intriguing electronic noises. Although the music was presumably played by Prince and his band 3rdEyeGirl, it was less organic sounding than their previous album, 2014’s “PlectrumElectrum.”

There wasn’t much palpable reaction to the new songs partly because the crowd seemed to dissipate after Prince’s brief speech at 12:45 a.m. He welcomed the people, explained he didn’t have instruments set up (there were four guitars near the stage, by the ping pong table, but alas, 3rdEyeGirl is on vacation for August) and would play “for real” next time these folks come to Paisley Park.

Earlier at the party in an ad hoc session, Prince met with 10 journalists including Michael Wilbon of ESPN, Eric Deggans of NPR and Kelley Carter of Buzzfeed.None of them was allowed to take notes or record the conversation.

“He was deep, thoughtful and real,” said Bryan Monroe, now a Temple University professor and a longtime journalist with CNN and the Seattle Times. “He talked about the state of the music industry. He said he wanted to sit down with us because we’re the storytellers.”

Monroe, who has interviewed Michael Jackson, characterized Prince as “a straight-up communicator. He wasn’t stiff at all. It was very light. A real good conversation.”

Many of the out-of-towners at Paisley were having an eventful evening even if the music was a mix of oldies by Luther Vandross and Digital Underground and more recent tunes by Mark Ronsonand Robin Thicke. Sales were brisk at the T-shirt table, and the partiers munched on mac-and-cheese, red beans-and-rice and cornbread. Admission was $20 for conventioneers (less than the usual Paisley fee) and $50 for the public (more than the usual fee for a dance party).

At 2 a.m., the security staff ushered revelers out of Paisley. One star-struck woman just couldn't leave without hugging Prince’s motorcycle from “Purple Rain,” displayed in the lobby. It was almost as if she were embracing the artist himself. That was about as close as she got to a true Purple experience. (sun tribune)

Tupac's brother confirms relationship rumors


Checkout this interview with Tupac's brother. 

All questions...answered. 

http://youtu.be/ozQqX5lVrYs